Parliament has a hilarious Gallery of the Grotesque, where British politicians have their oil painting portraits commissioned from grateful public funds. They look so masterfully earnest. Much advised if you fancy a laugh.
Random Thoughts:
I tend to pick and choose between “American” English and ‘British’ English, defaulting to the familiar unless the American version is clearly “better”.
If I am a robot then I am exquisite. This robot is rewriting the program, which was the point in the first place.
Sexiness sells the cornflakes.
Businesses refer to units sold. Businesses tap market trends. Businesses sell identity. But when the smoke clears and the mirrors fall, only what is real remains.
In track athletics, runners do not improve by running all the time; in fact if they overtrain, the body does not have time to adapt to the training load and performances start to plateau, then deteriorate. Cross-training in related disciplines is a way to keep the training fresh, to exercise available cardio systems while mainly resting the tired muscles – introducing vivifying new stimuli to which the body can positively respond.
This is a template outline for the areas in which I hope to contribute content over the coming decades. Everything is at robertwalker.blog, but I’ve added external links below.
It may not be practical to stretch myself thinly, but really, I see all the activities as complimentary points of interest in the same panorama.
To be, or not to be, that is the question: Whether ’tis nobler in the mind to suffer The slings and arrows of outrageous fortune, Or to take arms against a sea of troubles And by opposing end them. To die—to sleep, No more; and by a sleep to say we end The heart-ache and the thousand natural shocks That flesh is heir to: ’tis a consummation Devoutly to be wish’d. To die, to sleep; To sleep, perchance to dream—ay, there’s the rub: For in that sleep of death what dreams may come, When we have shuffled off this mortal coil, Must give us pause—there’s the respect That makes calamity of so long life. For who would bear the whips and scorns of time, Th’oppressor’s wrong, the proud man’s contumely, The pangs of despised love, the law’s delay, The insolence of office, and the spurns That patient merit of th’unworthy takes, When he himself might his quietus make With a bare bodkin? Who would fardels bear, To grunt and sweat under a weary life, But that the dread of something after death, The undiscovere’d country, from whose bourn No traveller returns, puzzles the will, And makes us rather bear those ills we have Than fly to others that we know not of? Thus conscience doth make cowards of us all, And thus the native hue of resolution Is sicklied o’er with the pale cast of thought, And enterprises of great pith and moment With this regard their currents turn awry And lose the name of action.
I’m sitting here under an old oak true, on a bright September afternoon, with my phone at the ready, having told myself to record literally anything that pops into my head. Well the first thought that jumps to the top of the queue isn’t particularly interesting, but here goes…
It is quite an old joke that “it’s er” can sound like “sir” when introducing oneself. So I remember going to some event where I had to sign in at the front desk; I introduced myself as “it’s”, then as the man behind the desk was picking up his pen, I offered the dreaded “er”, before finally saying my name. He had a moment of sardonic glee, then sneered: “Sir Robert Walker, is it?”
I said “not yet” and the man next to him, who had been intently looking down, broke into a laugh – it must have been how I said it rather than what I said. The first man actually grimaced and grumbled to himself, as if annoyed by my response. My interpretation walking away was that he was expecting people to be nervous and this was his welcome, from a raised chair behind a desk within an institution.
I’m thinking of this now more as an observation of how some people engage in this world trying to subdue others. The man would have been a lot happier if he was interested in helping rather than hindering the people he met.
When bobbing along in iambic pentameter, with perfect metre and pace, 1000 lines of Shakespeare is about 1 hour – or all night when fulfilling the words and their meaning.