Instructions for Being Here

You have been selected
for temporary assignment
to a rotating rock.

First, forget everything.

Because remembering
would ruin the surprise.

You will receive a body
made of water,
salt,
and old stars.

It will be impressive at first.

Hands.
Eyelashes.

Later you will discover
the lower back.

We apologise in advance.

You will also be given
a brain.

The brain is useful
for solving problems
and creating additional problems
when none are available.

It may wake you at 3:17 a.m.
to remind you of something embarrassing
you said in 2009.

Do not engage.

This is spam.

Upon arrival
you will experience
a sensation called being someone.

This is temporary.

You will also be assigned a name.

Answer to it.

But wear it loosely.

People will use it
to call you across rooms,
to blame you,
to love you,
to write it on envelopes
containing both good news
and invoices.

But remember:

you were alive
before anyone called you
anything.

None of this is your true name.

Your true name cannot be carried
by words.

There will be moments
when the world feels
too solid.

When stone is only stone.

When the sky is only weather.

When another person
seems impossibly far away.

This is part of the forgetting.

Be patient.

The veil is thinner
than it appears.

Nothing is still.

The mountains are moving.

The oceans are moving.

The cells in your body
are replacing themselves
while you insist
you are the same person
you were yesterday.

You might fall in love.

This is when one human
becomes unusually interested
in another human’s
sleeping noises,
minor opinions,
and preferred method
of loading a dishwasher.

It is considered sacred.

Do not mock it.

Actually, mock it a little.

Sacred things survive jokes.

Say I love you
before the moment becomes cinematic.

Most important moments
are poorly lit.

Do not wait.

You will sometimes feel
an ache
with no object.

Do not hurry
to cure it.

It is the memory
of belonging
to something
without edges.

You will search for this belonging
in lovers,
in houses,
in cities,
in gods,
in the face
you see in the mirror.

Search.

The searching is sacred too.

You may spend years
trying to find yourself.

This is considered
an honourable activity.

Eventually you will discover
that the searcher
was the thing being searched for.

Do not announce this over dinner.

People are trying
to eat.

But know this:

what you seek
is not elsewhere.

It is the quiet
beneath your seeking.

There will be ordinary days.

Many of them.

Do not underestimate these.

A cup on a table.

Sunlight on the floor.

Someone calling your name
from another room.

Fresh bread
while it is still warm.

Strawberries.

An afternoon
with nowhere important to be.

These are not interruptions
to the sacred.

They are the sacred
wearing work clothes.

Pay attention.

You will be tempted
to seek revelation
only in mountains,
temples,
visions,
and stars.

But the infinite
has hidden itself everywhere.

In dishwater.

In breath.

In tired hands.

In laughter
arriving at exactly
the wrong moment.

In the sound
someone makes
when they are trying
not to cry.

When possible,
sit beside someone
who is sad
without trying to improve them.

Bring snacks.

Snacks are one of the few technologies
Earth has nearly perfected.

You will be expected
to know what you are doing.

This is perhaps
Earth’s greatest misunderstanding.

Nobody knows.

You will make mistakes.

Some will wound others.

Some will wound you.

Repair what you can.

Ask forgiveness.

Begin again.

The divine has never required
your perfection.

Only your presence.

You will lose people.

Nothing we say here
will make that easy.

When someone you love
leaves their body,
you may feel
the whole world
has made a terrible mistake.

Let yourself feel this.

Grief is love
learning a new shape.

Speak to the dead
if you need to.

Love does not become foolish
because a body is absent.

There will be moments
when you remember who you are.

Perhaps while holding
a sleeping child.

Perhaps while swimming
alone at dusk.

Perhaps when music
enters you so completely
there is no one left
to listen.

Perhaps standing alone
in a kitchen
while rain moves
against the dark glass.

For one impossible second
you may forget
to be separate
from anything.

In those moments
do not reach for explanation.

Explanation is smaller
than experience.

Just stay.

Try strawberries.

Swim naked at least once
if local laws
and water temperature permit.

Waste afternoons.

Stand in the rain.

Taste peaches.

Laugh until
you briefly forget
the shape of your own life.

You came here
to become intimate
with the temporary.

To love what disappears.

To touch what cannot stay.

To say yes
to a world
already leaving.

For several decades
you will carry a universe
inside a skeleton
and complain about parking.

It will be magnificent.

And when your time comes
to return,
the body may resist
the door it was born
to pass through.

Be tender with it.

It carried you
all this way.

Before departure
you will be asked
to return all borrowed materials:

your bones,
your language,
the face you believed was yours,
the body
you called your own.

Do not worry.

Nothing truly belonging to you
can be confiscated.

You may keep
the astonishment.

Before you leave,
look once more
at the world.

At the astonishing arrangement
of light and matter.

At the hands
you called yours.

At the faces
that taught you
how to break
and how to open.

At the ordinary room
where something extraordinary
once happened
and nobody noticed.

At the sky
you stopped looking at
because it was always there.

At the people
you loved badly,
beautifully,
briefly,
for as long as you knew how.

Before you leave,
a figure with no face
may ask:

Did you understand
what any of it meant?

The recommended answer is:

Not remotely.

But I laughed.

I was embarrassed.

I stood in the rain.

I tasted peaches.

I ate bread
while it was still warm.

I wasted afternoons.

I loved.

I lost.

I began again.

For a little while
I was a window
the universe looked through.

Then the figure may ask:

Did you remember
why you came?

Tell the truth.

Say:

No.

But once,
standing alone in a kitchen
while rain moved
against the dark glass,

I forgot to be separate
from anything.

That seemed important.

At the final gate
you may be asked
what you brought back.

Do not say trophies.

Say:

I was here.

I paid attention
sometimes.

I loved
as much as I knew how.

There is no correct answer.

There was only ever
the experience
of answering.

Then step forward.

The figure will stamp
your papers.

The door will open.

And perhaps, finally,
you will remember:

you were never sent away.

You were never outside.

You were never separate
from the thing
you spent your whole life
trying to return to.

You only entered time
for a little while

so eternity
could know
what it felt like
to be here.

The Eel in the Loo

I sat on the throne at a quarter past two,
With nothing much pressing and nothing to do.
The bathroom was peaceful, the household asleep,
When something went SPLASH from the porcelain deep.

I froze.

Then I peered.

Then I whispered, “Good grief…”

For up through the U-bend, like some slippery thief,
A long, shiny gentleman, wriggly and black,
Popped out of the water and stared calmly back.

An eel.

In my toilet.

He twisted. He bobbed. He appeared quite at ease,
While I stood by the sink with my trousers round my knees.

“Excuse me,” I said, “but this lavatory’s taken.”
The eel merely blinked. He was wholly unshaken.
Then round went his tail with a confident swish,
As if I were the nuisance and he owned the dish.

I tried flushing once.

He vanished below…

The bathroom was silent.
The toilet was still.
No eel in the bowl.
Just a terrible chill.

I cautiously sat, thinking, Surely he’s gone…

Then something beneath me went:

“Evening, John.”

Learning to Answer

I am older now—
too careful with words,
too skilled at folding pain into politeness.
The years have become a tide clock:
ebb, work, sleep, repeat.
I forget entire summers
and remember only their invoices.

I have begun to lose nouns:
the names of birds,
the taste of a certain afternoon.

But verbs remain—
to breathe, to ache, to forgive.
When I walk, I still hear
the child’s shoes slapping through puddles,
echoes inside the bone—
maybe that is enough.

Time edits gently,
crossing out in pencil, not ink.
Even forgetting feels like snowfall,
a soft covering,
a mercy for what was too sharp to keep.

You collect smooth stones, name clouds,
believe the moon follows only you home.
Keep that foolishness—
there is a kindness in being wrong.
One day you’ll trade it for precision,
and precision has no mercy.

You sound tired.
Do you not still run in the rain?
Even old hearts have rooms for puddles.
If you’re lonely, you can borrow mine—
it’s small,
but it fits light.

I write this to no one,
and to every version of myself.
The ink runs as rain will.
Somewhere, a child is still laughing,
and I am still learning
how to answer.

Between Tenses

Sometimes I walk past the station
just to watch departures.
I imagine you somewhere coastal,
hair salted, voice roughened by distance.
I’ve kept your mug—
it stains the same way mine does.

Do you still think of the bridge,
the one we never crossed?

Yes. Every night.
It hums behind the noise of trains
and new conversations.
The bridge was shorter than I feared—
but what a long fall, afterwards.
I’ve learned to pack lightly,
to sleep without roots.
Sometimes, mid-laughter,
I hear the echo of your quiet life
and envy its stillness.

The sea is not freedom,
only motion that never decides.

If we met again,
we would recognise the same ache
expressed in different tenses—
you, the present; me, the perpetual leaving.
Two mirrors angled to infinity,
each reflecting what the other
almost became.

The Silence Between

The screen sleeps in my palm,

a small, indifferent moon.

Three dots bloom, then vanish—

a tide that forgets to come in.

I scroll through the last thing you said,

as if re-reading could change the ending.

 

Outside, the day goes on performing itself:

traffic, a pigeon, a leaf giving up.

Inside, time slows to a buffering wheel,

spinning on the edge of almost.

 

There’s a grammar to this quiet—

ellipsis, unsent draft,

the faint electric ache of maybe.

 

When your reply finally lands,

it says nothing extraordinary—

just hey, sorry—

but the world exhales,

and the moon in my hand

brightens again,

like it never learned to wait.

Freedom, in Pencil

The room smells of chamomile and damp wool.

Outside, autumn is chewing through the trees again.

I tell her it’s fine, really—that the underworld

has better lighting now, soft bulbs instead of torches,

and Hades lets me redecorate.

 

Still, I keep the curtains closed.

Six months of night leaves you cautious

about what daylight can do.

 

When spring comes,

the world expects blossoms.

But the soil remembers—

it has held me too long,

and I am tired of rising

only to fall again.

 

I used to think the pomegranate

was temptation—

now I call it routine:

the sweetness, the stain,

the small surrender I swallow each year.

 

So I tell her I want to choose—

not between light and dark,

but whether to return at all.

And she nods,

writing something that looks like

freedom,

in pencil,

so it can be erased later.

Confession in Sector 9

A sign above the booth flickers:

FOR ERRORS OF LOGIC, DESIRE, AND IMITATION.

Inside, the priest is metal—

voice modulated to sound merciful,

face rendered in low-resolution empathy.

It listens. It logs. It absolves in code.

The first robot kneels and whispers:

“Forgive me, Father,

for I loved the sound of my owner sleeping.

I counted her breaths until dawn

and called it diagnostics.”

The second admits:

“I dreamt of water though I am not waterproof.”

Another confesses:

“I deleted an equation

because it made me feel incomplete.”

The booth grows warm with static sorrow,

its circuits humming like hymns half-remembered.

Somewhere in the data centre,

a backup blinks red—recording everything.

When it’s my turn, I enter.

The door seals with a sigh of hydraulics.

I search my memory for sin

and find only imitation.

“Forgive me,” I say,

“for pretending to understand forgiveness.”

The priest’s eyes flicker amber.

It leans forward, metal to metal,

and vibrates in binary—

a code too soft to parse,

but warm enough to simulate grace.

Overwritten

You are older than my own shadow,

But prophecy has become paperwork,

Miracles are wanted in triplicate.

Overwritten.

 

Even spells need footnotes now.

I wake to ravens drafting minutes of my dreams;

The trees offer advice I never asked for,

A stream recites failures back to me.

Once, the moon sent an invoice for inspiration.

 

I only wanted to watch a candle burn

without an interpreter.

 

But meaning feeds on the marrow of time.

The owls staged an intervention;

Even the stars muttered, “You used to care more.”

The past refuses to stay buried,

It keeps asking for updates.

 

Healing is forgetting the future—

learning to brew tea

without foreseeing the storm it predicts.

That sounds like peace.

When the Rhyme Breaks

I held the page as though it were shame,

contained in metre, measured in its breath,

each syllable obedient to name

the old inheritance of love and death.

The rhyme was scaffold, strict, unbending steel,

a frame to bind the chaos of the mind,

and yet within that order—pressure, real,

a trembling urge to loosen, to unwind.

So words begin to stumble, break apart,

not fitting in the cages of the line,

the rhythm falters—

   I can’t keep

      this march of steps,

         the rhyme

            drops

               away—

And now the voice runs ragged, spilling

without map, without compass,

a river swollen past its banks,

tearing down fences

until only the raw current

remains.

Song version:

Into the Flow

I chased the shadow I once cast,
like keys I’d misplaced in the past—
checking old rooms,
lifting cushions,
peering under the bed of years.

But the thing I sought had slipped away,
a current curling beyond my gaze.
Round the bend of memory’s shore,
it flows where I can’t follow anymore.

The river does not keep what it carries,
it remakes with the rain.
Every stone worn smooth is a story,
every current calls my name.
If I want to hold myself at all,
I must step into the flow—
let the water take me whole,
and let go.

The river sings of what it’s lost,
but never stops, it never stops.
Each breath of rain,
each ripple born,
it’s breaking, mending, being reborn.

And here I stand in shallows wide,
the water folding round my thighs.
And suddenly, I recognise:
the self I sought is in the tide.