Instructions for Being Human

// initialise body → if heartbeat == true, proceed

// else: wait

1. Waking

Try not to panic. The light will hurt.

So will gravity, noise, the realisation that none of this is optional.

2. Skin

It is not armour. It will not keep out the world.

3. Emotions

These will override logic. Frequently.

You may want to uninstall.

You can’t.

4. Connections

People arrive unfinished.

Do not try to complete them.

They will resent you.

Love them anyway, or not. Both will hurt.

5. Hunger

Feed more than the stomach.

You will hunger for touch, for purpose, for quiet.

Feed carefully.

Excess = corruption.

6. Joy (beta feature)

May arrive unannounced:

A smell, a chord progression, the way a stranger says “take care” and almost means it.

7. Loneliness.exe

This runs in the background. Always.

Ignore it if you can.

Or listen. Sometimes it whispers useful things.

8. Mortality

Yes.

(This is working as intended.)

9. Error Handling

You will break.

You will be rebuilt by time, or other humans, or not at all.

That’s not failure.

That’s versioning.

10. End Process

Do not attempt to understand everything.

Do not wait for perfection.

Begin anyway.

// commit changes

// save draft

// run again

Local Church Now Accepting Confessions via QR Code

“Forgive me, Father, for I have sinned—please see attached spreadsheet.”

In an effort to “modernise the sacrament for today’s busy lifestyle,” St Ethel’s Church has announced the rollout of QR-coded digital confessions, allowing parishioners to scan a laminated notice near the font, select their sins from a convenient dropdown menu, and receive automated absolution within 3–5 working days.

Father Alan Croft, the priest behind the initiative, insists the system will “streamline the sin-to-salvation pipeline.”

“No one’s got time for moral nuance or unresolved trauma anymore” he told reporters. “Now it’s just click, confess, and carry on.”

Premium features include ‘Sin Bundling’, where users can tick a box for “Everything I did on holiday in Ayia Napa” or “Whatever, that was with the accountant.” Confessions submitted before 4pm on weekdays are guaranteed next-day forgiveness, while late submissions are placed into a “purgatory holding queue” for manual review.

A deluxe confession tier is also in development, promising one-click penance suggestions based on your postcode and income bracket.

Despite backlash from more traditional members—who reportedly miss the warm scent of incense and the faint terror of priestly disappointment—the scheme has proved wildly popular among younger worshippers.

“It’s brilliant,” said congregant Grace, 29. “I sin on the go, and now I can be absolved on the go. I just tap my phone and bam, my soul’s back in beta.”

Rumours persist of a future integration with Apple Watch, allowing users to receive real-time guilt notifications, along with haptic shaming buzzes for minor transgressions.

When asked if digital forgiveness cheapens the solemnity of the act, Father Croft paused, shrugged, and said:

“We’ve been taking cheques since 1987. This is just evolution.”

Written Off

The letter arrived on a Thursday.

Plain white envelope, no return address. Inside, a single line on crisp paper:

We regret to inform you that you have been declared deceased.

Daniel read it twice, then laughed that brittle, half-afraid laugh you make when the world throws up nonsense. He checked his pulse. Felt the thrum in his throat, the warmth in his hands. Alive. Definitely alive.

He set it aside.

But that night, his bank card stopped working. The next day, his office pass denied him entry. Emails bounced. His name vanished from company records.

At the council office, the assistant squinted at her screen. “Strange,” she murmured, frowning. “It says here… deceased.”

That night, his key didn’t fit his front door.

Through the window, he saw his wife on the sofa, laughing with a man he didn’t know. When he knocked, she didn’t turn. When he shouted, no one stirred.

His reflection in the window wavered, then disappeared into mist.

Godzilla’s Yoga Class

Godzilla has been feeling… tense.

Yes, the tail-smashing, skyline-crushing, thermonuclear tantrums look dramatic, but they’re really just the result of tight hip flexors and unresolved emotional trauma. Tokyo understands. At this point, they just evacuate when the sirens go off and leave a little aromatherapy gift basket on the bay.

But the rampages aren’t doing it for him anymore. He’s tired. He’s molting irregularly. His scales look dull. The last time he screamed into the ocean, a passing whale told him to be quiet.

So he signs up for a yoga class.

It’s awkward at first. The room is too small. The mats are too flammable. The teacher, Cassandra, is incredibly brave and/or emotionally detached. She greets him with a soft “namaste,” which he accidentally mimics at 132 decibels, blowing out the windows.

He tries downward dog. It triggers a small earthquake in Hokkaido.

By week three, he’s noticeably calmer. No screaming for three days. No tail swipes. He only destroyed half a commuter bridge last Tuesday, and that was to rescue a cat.

Cassandra says his third chakra is “absolutely wild,” and he takes that as a compliment.

At the end of class, everyone lies in corpse pose. For once, Godzilla doesn’t dread the silence.

There’s a pigeon perched on his nose.

He doesn’t eat it.

Progress.

Artificial Irritation

In 2025, the world hit Peak AI—not just in technology, but in marketing. Suddenly, everything needed “AI” slapped on it, regardless of relevance, function, or reality.

Boardrooms became feverish warzones:

“Janet, where’s the Al in our shampoo?”

“Er… it foams… intelligently?”

“Good enough. Rebrand it: LathrAI.”

An app promising “AI for finding the best AI” launched—only to be exposed as three interns frantically googling product reviews.

Even the local bakery joined in, claiming “AI-optimised sourdough fermentation”. When asked, the owner admitted, “It’s just my nan’s old recipe.”

Meanwhile, genuine Al researchers watched in horror. Dr. Anita Sharma, a machine learning expert, posted wearily: “No, your scented candle isn’t ‘AI-infused’. Please stop.”

But no one cared. Shareholders demanded “AI” in the name, or they’d dump stock. Startups got funded only if they mentioned neural networks, such as for products like AIToothpick (“adapts to gum contours”) or SmartAI-Shirt (“predictive comfort fabric”).

And yet, amid this AI-fuelled circus, one small local coffee shop stood defiant. Its sign read:

“We Make Coffee. No AI. Just Dave.”

They sold out every day.

Unmended

Each night the house smooths its skin.

Cracked plaster seals, paint blushes fresh,

floorboards remember how not to groan.

 

In the kitchen, tiles reattach themselves,

grout knitting seamless as if no pan

was ever thrown, no water ever spilled.

 

The window we shattered at dinner

glimmers whole by dawn,

its glass cold as a withheld word.

 

Upstairs, the mirror forgets

the arguments it has reflected.

But your eyes do not.

 

My joints ache in a language

the house does not speak.

Your hands tremble, unplastered, unpainted.

 

By morning, the house is immaculate,

a museum of absence.

We move through it

like old ghosts,

unmended.

Song version:

A Candle for the Unnamed

To the house with the yellow door
we never lived in,
the city I passed by,
the stranger I almost loved.

To the painting left in my head,
streaked with colours no hand
ever mixed,
the call I never made,
the song I hummed once,
then forgot.

To the child I never named.

There is a cemetery
not marked on any map,
where all the unlived lives lie:
the apology unsaid,
the poem unwritten,
the “yes” I swallowed,
the “no” I let rot on my tongue.

I light a candle tonight
for the almosts,
for the flicker before the flame,
for the ghosts
with no names to answer to.

Somewhere, they bloom—
delicate as breath,
wide as regret.

The Lit Fuse

Across the street, she’s talking to a friend on her phone, sunlight threading gold through her hair.

It’s her. Always her.

In Rome, she was Lucia—plague took her. In Warsaw, Anka—a soldier’s bullet. In Kyoto, Mai—his jealous rival’s knife. This life, she’s Davina. And he remembers.

The memory came back two days ago after he fell down the stairs: a rush, a drowning, all the lives folding into one sharp point. Names, faces, the taste of their last kiss, the weight of their last breath. And the terrible certainty: his love is the fuse.

He watches her laugh, the corner of her mouth lifting just so. His body aches to go to her. But the pattern’s clear now, unmistakable. Loving her means losing her.

She glances across—catches his gaze. Something flickers across her face. Recognition? No. Just polite curiosity. Not yet.

He tells himself to look away.

He does.

He convinces himself to take a breath, to turn, to walk.

But then—

She’s in the road, fumbling with her bag, phone slipping from her hand. A car barrels down the lane, too fast, too close.

He’s running before he knows.

The air smashes from her lungs as he yanks her back, arms tight around her waist, the car blaring past in a blur of metal and hot wind. She falls into him, breathless, eyes wide, face inches from his.

“Thank you,” she gasps, dazed. “I… I didn’t see…”

He lets go. He should step back. Should vanish into the crowd, slip free before the knot tightens.

But it’s too late. She’s looking at him now, really looking, brow furrowed—like she’s searching some half-remembered name, some shape in a dream.

And just like that, the fuse is lit.

Twelve Minutes

He stood before the machine, hands in his coat pockets, eyes fixed on the brass slot. Above it, instructions glowed in soft blue light:

INSERT GRIEF ITEM. PROCESSING TIME: 12 MINUTES. YOU WILL FEEL LESS.

His fingers closed around the ring in his pocket. A slim gold band, worn thin on one side. He had kept it for three years now, turning it over like a prayer stone, sometimes pressing it to his lips when no one was looking.

Twelve minutes.

Around him, the hall was quiet but not empty. A woman sat on a bench, blank-eyed, a crumpled sock in her lap. A teenager leaned against the far wall, a cracked phone case in hand. Neither looked at him.

He pulled the ring out and rolled it between thumb and forefinger. In the machine’s polished surface, his reflection wavered—a man, growing older with grief like a weight stitched under his skin.

Twelve minutes.

His hand hovered. If he let it take the ring, would it take the smell of her hair, the memory of her laugh as they painted the bedroom, the way she whispered his name when half-asleep? Or only the ache—the sharp, sudden stabs, the hollow mornings, the dreams that dissolved into salt on waking?

The woman at the bench rose. She walked past—her eyes watery, glazed with traces of red. She dropped the sock into the machine, paused briefly, then walked away.

His fingers closed. Slowly, deliberately, he put the ring back in his pocket.

The machine waited.

He turned and left.

The Man and His Moon

There was a young man in a hat,

Who fell quite in love with the Moon;

He courted her nightly with howls in the night,

And serenades played on a horn.

 

He sang, “Oh my lunar delight!

Oh roundest, resplendent balloon!

Come down from the sky, and we’ll merrily tie

A knot by the end of the June!”

 

So he built a vast ladder of cheese,

(With the help of a wayward baboon),

And up he did climb through the highest of clouds,

To wed his bewildering Moon.

 

But alas! when he reached for her hand,

His fingers met nothing but glow—

For the Moon, though she gleams, is made wholly of beams,

And cannot be met far below.

 

Now he floats in a coat through the sky,

With a pocket of onions and rye;

And the people below shake their heads as they go,

At the man who made love to the sky.